Fretboard logic

Author: v | 2025-04-24

Fretboard Logic - Reverb Fretboard Logic

Notes on the fretboard - The Logic Behind The Fretboard

Form major key progression using motif development and the five elements of contrastPRACTICE: Unit 10 practice routine LEVEL 2 Unit 1 THEORY: Identifying intervalsFRETBOARD LOGIC: The Pattern II major pentatonic scale, pattern II major scale, mixing barre chords and open chord voicings, interval shapes on the fretboard—2nds and 3rds on one string, Introduction to the Octave Shape Family TreeTECHNIQUE: Alternate picking with 8th notes across stringsRHYTHM NOTATION: Meter, measures, barlines, notes, and restsRHYTHM GUITAR: Folk rhythm guitarIMPROVISATION: Soloing with Straight 8th-note subdivisionPRACTICE: Unit 1 practice routine Unit 2 THEORY: Measuring and Constructing IntervalsFRETBOARD LOGIC: The Pattern IV major pentatonic scale, pattern IV major scale, mixing barre chords and open chord voicings, intervals on the fretboard—2nds and 3rds on adjacent stringsTECHNIQUE: Alternate picking with a syncopated 8th-note subdivisionRHYTHM NOTATION: Note heads, stems, and flagsRHYTHM GUITAR: Folk rhythm guitarIMPROVISATION: Soloing with syncopated straight 8th notesPRACTICE: Unit 2 practice routine Unit 3 THEORY: Major, minor, augmented, and diminished triad formulas, sus4 chord formulaFRETBOARD LOGIC: Pattern V major pentatonic scale, pattern V major scale, 3-string-set major triad shapes, intervals on the fretboard—4ths and 5ths on adjacent stringsTECHNIQUE: Alternate picking with 16th note subdivisionRHYTHM NOTATION: Meter and time signaturesRHYTHM GUITAR: Folk rhythm guitar, fingerpickingIMPROVISATION: Soloing with a straight-16th note subdivisionPRACTICE: Unit 3 practice routine Unit 4 THEORY: Analyzing triads, chord symbolsFRETBOARD LOGIC: Pattern I minor pentatonic scale, pattern I natural minor scale, Triad Super Shapes, intervals on the fretboard—6ths on adjacent stringsTECHNIQUE: Alternate picking with syncopated 16th-note subdivisionRHYTHM NOTATION: Note and rest valuesRHYTHM GUITAR: Folk

Learning fretboard logic and fretboard mapping

Rhythm guitar, alternating bass fingerpickingIMPROVISATION: Soloing with a syncopated 16-note subdivisionPRACTICE: Unit 4 practice routine Unit 5 THEORY: Triad constructionFRETBOARD LOGIC: Pattern III minor pentatonic scale, Pattern III natural minor scale, creating parts with 3-string-set triad shapes, intervals on the fretboard—6ths and 7ths on non-adjacent stringsTECHNIQUE: Alternate picking with 8th-note tripletsRHYTHM NOTATION: Dots and tiesRHYTHM GUITAR: Folk rhythm guitar progressionsIMPROVISATION: Soloing with 8th-note tripletsPRACTICE: Unit 5 practice routine Unit 6 THEORY: Harmonized major scale with triadsFRETBOARD LOGIC: The Pattern V minor pentatonic scale, pattern V natural minor scale, patterns I and III major triad arpeggios, creating parts with 3-string-set minor Super Shapes, intervals on the fretboard—2nds and 3rds on adjacent top three stringsTECHNIQUE: Alternate picking with syncopated 8th-note tripletsRHYTHM NOTATION: Spacing and grouping of notesRHYTHM GUITAR: Classic rock rhythm guitar, common power chordsIMPROVISATION: Soloing with syncopated 8th-note tripletsPRACTICE: Unit 6 practice routine Unit 7 THEORY: Chord families, analyzing chord progressions in major keysFRETBOARD LOGIC: Overlapping pentatonic shapes, patterns II and IV minor triad arpeggios, voice leading, intervals on the fretboard—4ths and 5ths on adjacent top three stringsTECHNIQUE: Alternate picking with 16th note tripletsRHYTHM NOTATION: Note grouping with 8th notesRHYTHM GUITAR: Classic rock, open-A power chord vocabularyIMPROVISATION: Soloing with 16th-note tripletsPRACTICE: Unit 7 practice routine Unit 8 THEORY: Harmonizing the minor scale, analyzing chord progressions in minor keysFRETBOARD LOGIC: Overlapping major and minor scale shapes, patterns II, IV, and V major triad arpeggios, intervals on the fretboard—6ths on non-adjacent top four stringsTECHNIQUE: Alternate picking with syncopated 16th-note tripletsRHYTHM NOTATION: Note grouping

Fretboard Logic for the Mandolin

Select version: Modifying this control will update this page automatically Logic Pro User Guide for iPad What’s new in Logic Pro 2.1 What’s new in Logic Pro 2 What’s new in Logic Pro 1.1 What is Logic Pro? Logic Pro interface Control bar and view control bar Tracks area Live Loops Browser Inspector Fader Plug-ins area Mixer Audio Editor Piano Roll Editor Session Player Editor Step Sequencer Play Surfaces Working areas Work with function buttons Work with numeric values Undo and redo edits in Logic Pro for iPad Intro to projects Create projects Open and close projects Play projects Edit project properties Manage projects Delete projects Customize the control bar Intro to tracks Create tracks Create tracks using drag and drop Choose the default region type for a software instrument track Select tracks Duplicate tracks Reorder tracks Rename tracks Change track icons Change track colors Use the tuner on an audio track Show the output track in the Tracks area Delete tracks Intro to track headers Mute and solo tracks Set track volume Enable tracks for recording Use input monitoring on tracks Turn off tracks Freeze tracks Customize the track headers Intro to track stacks Create and edit track stacks Edit track parameters Start a Logic Pro subscription How to get help Browser overview Find sounds in the Browser Patches overview Save custom patches Use Apple Loops Add Apple Loops to your project Work with samples in the Browser Manage plug-in presets in the Browser Manage Step Sequencer patterns and templates in the Browser Add your own sample folders to the Browser Download additional sound packs Import media Supported media and file formats Open GarageBand songs Intro to Play Surfaces Use side controls with the Play Surfaces Use the Keyboard Play Surface Use the Drum Pads Play Surface Use the Fretboard Play Surface Use the Chord Strips Play Surface Use the Guitar Strips Play Surface Intro to recording Before recording audio Record sound from a microphone or instrument Record multiple audio takes Record to multiple audio tracks Replace audio recordings Delete audio recordings Before recording software instruments Record software instruments. Fretboard Logic - Reverb Fretboard Logic Master Fretboard Logic: Quick Tips for Guitarists Master Fretboard Logic Discover effective techniques to quickly learn and master fretboard logic for gu

Fretboard Logic Vs Fretboard Roadmaps Vs Fretboard Workbook

The entire program. There are almost 2,000 pages of full-color text, examples, and exercises, in eight books. These are optional and can be purchased through most book retailers, including Amazon.com. GET STARTED TODAY! If you are serious about improving your guitar playing, there is simply no other program like FRETBOARD BIOLOGY. This is the only program that combines all the benefits of a structured professional guitar program with the low cost and convenience of self-learning. LEVEL 1 Unit 1 THEORY: The staff, the musical alphabet, clef signs, intervalsFRETBOARD LOGIC: Introduction to the Octave Shape System, notes of the fretboard, positionTECHNIQUE: Fretting hand (finger numbers, finger orientation, thumb position, pressure), picking hand, alternate picking, using a metronomeIMPROVISATION: Key center soloing, solo shaping and story telling, the five elements of contrastPRACTICE: How to build a practice routine Unit 2 THEORY: Natural notes, sharps and flats, naturally-occurring half staps, enharmonics, the major scale formula, the major pentatonic scaleFRETBOARD LOGIC: The Pattern III major pentatonic scale, chord tones of Pattern IV barre chords, notes of the fretboardTECHNIQUE: Introduction to articulation techniquesIMPROVISATION: Key center solo in a major key, motif developmentPRACTICE: Common questions about practicing Unit 3 THEORY: The natural minor scale formula, the minor pentatonic scaleFRETBOARD LOGIC: Pattern IV minor pentatonic scale, chord tones of the Pattern II barre chordsTECHNIQUE: Hammer-ons and pull-offsIMPROVISATION: Key center solo in a minor key, motif developmentPRACTICE: Unit 3 practice routine Unit 4 THEORY: Constructing the major scale, building major scales in keys using sharpsFRETBOARD LOGIC: Pattern I major

Fretboard Logic SE: Volumes I II Combined [FRETBOARD LOGIC

With 16th-note measuresRHYTHM GUITAR: Classic rock, 1st inversion power chordsIMPROVISATION: Soloing with 8th-note shuffle groovePRACTICE: Unit 8 practice routine Unit 9 THEORY: Constructing the blues scaleFRETBOARD LOGIC: Patterns II and IV blues scale, pattern I, III, and V minor triad arpeggios, practical major triad shapes within the octave shape system, intervals on the fretboard—7ths on non-adjacent top four stringsTECHNIQUE: Alternate picking with various articulation devicesRHYTHM NOTATION: Common meters other than 4/4 timeRHYTHM GUITAR: Comping in classic rock using Pattern III triad shapesIMPROVISATION: Soloing with chord tonesPRACTICE: Unit 9 practice routine Unit 10 THEORY: Level 2 summaryFRETBOARD LOGIC: Patterns I, III, and V blue scales, suspended fourth arpeggios, practical minor triad shapes within the octave shape system, intervals on the fretboard—octaves on all non-adjacent stringsTECHNIQUE: Notating pick directionRHYTHM NOTATION: Clarity in notationRHYTHM GUITAR: Classic rock, triad shapes on String Set 2-3-4IMPROVISATION: Soloing with chord tonesPRACTICE: Unit 10 practice routine LEVEL 3 Unit 1 THEORY: 7th chord formulasFRETBOARD LOGIC: Patterns I and III major 7th arpeggios, open string 7th chord voicingsTECHNIQUE: Interval sequences in diatonic scalesRHYTHM GUITAR: Comping in classic reggaeMONEY MAKERS: Classic Pattern III major pentatonic Money Maker vocabularyIMPROVISATION: Soloing over a progression using 7th chord tones,PRACTICE: Unit 1 practice routine Unit 2 THEORY: Harmonizing the major scale with 7th chordsFRETBOARD LOGIC: Patterns I and III dominant 7th arpeggios, chord progressions using open string 7th chord voicingsTECHNIQUE: Interval sequences in diatonic scalesRHYTHM GUITAR: Comping in classic reggaeMONEY MAKERS: Classic Pattern III major pentatonic Money Maker vocabularyIMPROVISATION: Soloing using dominant 7 chord

Learning fretboard logic and fretboard mapping - Sound Guitar

VoicingsIMPROVISATION: Using “in-position” arpeggiosPROGRAM: Unit 4 practice routine Unit 5 THEORY: Other chord typesFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 5 practice routine Unit 6 THEORY: Slash chordsFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 6 practice routine Unit 7 THEORY: Chord familiesFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 7 practice routine Unit 8 THEORY: Diatonic substitutionFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 8 practice routines Unit 9 THEORY: ModulationFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePRACTICE: Unit 9 practice routines Unit 10 THEORY: A guide to common chord symbolsFRETBOARD LOGIC: Voice leadingIMPROVISATION: “In-position” connecting gamePROGRAM: Unit 10 practice routine LEVEL 8 Unit 1 INTRODUCTION: Understanding chord tones in soloing, in-position arpeggios, 13 common jazz progressions, vocabulary development, vocabulary as finger paths, harmonic analysis in jazz—perceived modulations Unit 2 FRETBOARD LOGIC: Review in-position arpeggiosCOMPING: Constructing walking bass lines while comping when chords change every 2 beatsIMPROVISATION: “Connecting” arpeggios in major II-V-I progressions 1 and 2 Unit 3 COMPING: Constructing walking bass lines while comping when chords change every 2 beatsIMPROVISATION: “Connecting” arpeggios in major II-V-I progressions 3 and 4 Unit 4 THEORY: Avoid tonesCOMPING: Constructing walking bass lines while comping when chords change every 4 beatsIMPROVISATION: Lick writing, lick-writing worksheet Unit 5 THEORY: Functioning and non-functioning dominants, altered scaleCOMPING: Constructing walking bass lines while comping when chords change every 4 beats Unit 6 THEORY: The melodic minor scaleCOMPING: Shell voicings Unit 7 THEORY: The melodic minor scale correlation with altered scaleCOMPING: Shell voicings Unit 8 COMPING: Guide tonesIMPROVISATION:. Fretboard Logic - Reverb Fretboard Logic Master Fretboard Logic: Quick Tips for Guitarists Master Fretboard Logic Discover effective techniques to quickly learn and master fretboard logic for gu